When were you happiest?
I remember thinking, when I was in my early 30s, that this is the best age to be, and I still believe your 30s are a wonderful time. But I think I am pretty happy now.
What is your greatest fear?
I am afraid in aeroplanes.
What is your earliest memory?
The smell of chocolate. I was in Germany where my father was on business. I was about three or four and at that time, in postwar Britain, I had never had chocolate.
Which living person do you most admire, and why?
At the moment, Camilla Batman-Ghelidja is someone I deeply admire.
What is the trait you most deplore in yourself?
My procrastination and my intrinsic laziness.
What is the trait you most deplore in others?
Mean-spiritedness.
Aside from a property, what’s the most expensive thing you’ve bought?
I suppose a car, but I don’t buy expensive things. I’ve never bought a new car, and I haven’t actually bought one for 15 years.
What is your most treasured possession?
A little, gold-leafed, wooden Buddha.
Where would you like to live?
I like the way I live, which is between many different places.
What would your super power be?
The ability to eat absolutely anything and never get fat.
What makes you depressed?
In a nutshell, Sarah Palin.
What do you most dislike about your appearance?
I am not too keen on my nose, I don’t like my knees, I hate my ankles, I am unsure about my behind, I don’t like my legs at all. I am not too sure about my chin, my forehead is a bit dodgy. But, overall, I can live with it.
If you could bring something extinct back to life, what would you choose?
There are so many beautiful animals that share this planet with us that we are about to lose and must save.
Who would play you in the film of your life?
I often find myself in movies where they need to get a younger me, because I am too old to play the younger me. I recently met a fabulous young actor called Jessica Chastain who will be playing the younger me in The Debt.
What is your most unappealing habit?
Not answering phone calls. I think it’s because I’ve a slight phone phobia.
What is your favourite smell?
Newly mown grass is lovely, as long as it doesn’t come with the drone of the electric mower.
What is your favourite book?
My favourite book, like my favourite role, is the one I happen to be doing at the time.
What would be your fancy dress costume of choice?
I do love fancy dress and I love Mardi Gras in New Orleans - I’d wear something sparkly with a pink wig.
What is the worst thing anyone’s said to you?
Many years ago I had a funny experience in a lift at the BBC rehearsal rooms. Something I’d been in had just been on television and there were two people discussing it. They didn’t realise I was who I was. One said, ‘What did you think of that thing last night?’ And the other said, ‘I thought it was quite good, but she was terrible.’
What is your guiltiest pleasure?
I adore Project Runway and I am a bit partial to America’s Next Top Model.
What do you owe your parents?
I was very lucky, I had wonderful parents living in an insignificant dormitory town, in a lower-middle-class/working-class environment, who gave me everything. Mostly what they gave me was love.
What is the worst job you’ve done?
Working in a department store.
What single thing would improve the quality of your life?
To be able to tele-transport from one country to another.
What do you consider your greatest achievement?
To still be working!
Dame Helen Mirren finds working with her director hubby ‘tough’, because she gets upset whenever Taylor Hackford shouts at people onset. Hackford has teamed up with his wife Helen for his upcoming flick Love Ranch based on a Nevada brothel.
“Working with him, I have to say, wasn’t easy. My husband
in work mode is not the easiest of people, although a lot of people adore working with him. But because I have the emotional connection with him, I would get upset if he was shouting, not at me, but at someone else, demanding something,” The Daily Express quoted Helen, as saying.
“I would find myself rushing around trying to clean up after him. There’s nothing I love more than going to my husband’s set and being his wife. But this, it mixes the roles up,” she added.
Helen revealed that being directed by a loved one made it a unique experience for her. “He didn’t make me cry but he made me very cross,” Dame Helen said.
In a new Weekend series, celebrities reveal all about their school days. Dame Helen Mirren is one of Britain’s best-loved actresses. Now 62, she is married to the American director Taylor Hackford, has no children and lives mostly in Los Angeles.
When I was in my early teens I had fallen in love with all things French, especially Brigitte Bardot.
Here I am with my best friend, Jenny, and Pattie; I’m on the far right. Together, with another girl called Mary, we formed a close-knit group. There is no relationship in your life quite as intense as that first adolescent friendship, sharing all the pains and dreams without embarrassment.
The four of us became, I am sure, a constant source of irritation to nuns, teachers and fellow pupils alike, not least because of our pretensions, which, like all teenagers, we imagined were our invention.
It was all Rimbaud [French poet] and Juliette Greco [Parisian singer], long hair de rigueur (at school we had to tie it in plaits like in the photo), if possible black stockings and gingham, because that was what Bardot wore.
School was St Bernard’s Convent Grammar School, near my home in Southend.
Like my older sister, Kate, I had passed that terrible and divisive exam called the 11 Plus, thanks probably to the efforts of my parents. My younger brother, Peter, did not pass and was destined for the kind of secondary school education that was more to do with carpentry than Latin.
Life at home was poor but sweet. My father worked as a civil servant, having changed his Russian surname from Mironov to Mirren - my paternal grandfather was a Russian nobleman, stranded in England by the revolution in his home country. Mother didn’t work - we were working class, but with a Bohemian, creative streak, which came from my mother.
Like many families, there was no central heating and our house was freezing cold in the winter. After school, I had to light the fire with nuggets of paper and then more paper held in front of the fireplace.
We had no television in the house, until after I left home for college, and no radio to speak of. Growing up with no money or resources led to many conflicts between my sister and myself. We had to fight for our space, and that’s exactly what we all did.
St Bernard’s was a Roman Catholic school, and thought of as one of the best in the neighbourhood. The headteacher went by the impressive name of Dame Mother Mary Mildred. She was old and small, and exuded a kind of strict kindness, and a wisdom that was completely innocent of modern life. She gave me advice that I grew to appreciate more and more as life went on: beware of fear.
At school, my group of friends was noticeable for our attempts to change or adapt the school uniform. We rolled up our skirts at the waist to make them minis that could be let down in a second.
I wasn’t a real rebel, though. None of our entertainment included alcohol, let alone drugs. I was a jazz fan, and loved art. When I wasn’t imagining myself walking around with a script under my arm, I dreamt of being an artist with a sketchpad in my hand.
Living in Southend, there was the heartbeat of the big city, London, echoing down the Thames. We went to the capital city with school, to the Tate or a museum. Those trips were so exciting.
At St Bernard’s, our one concession to the world of drama was the Shakespeare Cup. This little silver cup was presented to the winner of a competition in which each form had to prepare and perform a scene from Shakespeare, without the help of a teacher and with no set or costumes. We won one year when I got to do Ophelia’s mad scene from Hamlet. I played it years later at the RSC, but never so well again.
My greatest influence at St Bernard’s was my blessed English teacher, Mrs Welding. I wonder if I would ever have managed to become an actress if it were not for her. She suggested I apply for the National Youth Theatre. At the back of many artists, especially ones coming from an unexpected background like mine, you will find a very fine teacher. Mrs Welding gave me the pamphlet and the application forms.
I applied for an audition without telling anyone at school, I was so sure of rejection. I made the journey up to London with my dad. I did Queen Margaret from Henry VI, Part III: ‘Come, make him stand upon this molehill here…’ I was 17, with all the physical shyness that implies. I tried desperately to overcome my mortification and gave it my all. And I got in.
She won an Oscar as the Queen, but Dame Helen Mirren’s next film will see her play a Mossad agent who covers up the re-emergence of a Nazi war criminal.
The 63-year-old has signed up for the lead role in The Debt - a remake of Israeli thriller Ha-hov - according to film trade paper Variety.
John Madden, who previously worked with Dame Helen on TV series Prime Suspect, has been named as the director.
“Helen Mirren is the perfect choice for the central role,” he said.
The actress’s character, Rachel Singer, is a secret agent who lies about killing a Nazi war criminal in the 1960s.
She is forced to return to work when her alleged victim reappears three decades later.
Madden, whose previous films include Shakespeare In Love and Mrs Brown, described the character as “a formidable and dignified woman grappling with years of emotional disappointment, suddenly confronted by a powerful and unexpected choice”.
The script is being written by Matthew Vaughn and Jonathan Ross’s wife, Jane Goldman, who were responsible for the acclaimed fantasy movie Stardust.
Filming is due to take place in the UK, Germany and Israel next year
Oscar-winning actor Helen Mirren is to return to the stage of the National Theatre to play the title role in Racine’s Phèdre next year.
Mirren, who won an Oscar for her performance in Stephen Frears’s 2006 film The Queen, will be directed by Nicholas Hytner, the National Theatre’s artistic director, next June.
The production will co-star Margaret Tyzack as the nurse Oenone – the veteran actor who has recently charmed audiences with her performance in Enid Bagnold’s The Chalk Garden at the Donmar Warehouse, London.
Mirren last performed at the National Theatre in 2004 to great acclaim, in Eugene O’Neill’s Mourning Becomes Electra.
Racine’s Phèdre, premiered in 1677, is based on Euripides’s play Hippolytus. It relates the story of the fatal, illicit love that Queen Phèdre nurses for her stepston, Hippolyte.
More news from the National Theatre in tomorrow’s newspaper.